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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>“This original piece by Renaud Herbin is a construction game played from the sides. Between heaven and earth, shapes emerge from the margins. Dancer-acrobat Jean-Baptiste André is loosed into this space, grappling with a huge door that morphs into a wall, the ground, a shelter. The frailty of his constructions pushes him beyond acro-batic virtuosity, to a point where every-thing teeters and is upended.” For this piece I have worked with the oude player Greogry Dargent. We looked for texture with his oude, his pedals, my voice and my computer sounds. We improvise for hours until we found something that fit to Renaud’s text. Then, I got a rid of the computer to concentrate on saying and singing his words. Staging : Renaud Herbin avec Jean-Baptiste andré Music : Sir Alice et Grégory Dargent Scénography : Matthias Baudry</image:caption>
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      <image:caption>« Nous abritons des foules, de bruyantes cohortes et des tribus radieuses. Nous sommes une vaste zone d’accueil, un asile dont les murs sont tombés. Sur nos mers intérieures se croisent des galériens, des vaisseaux-fantôme et des nefs de fous. Trois corps sur scène, qui peut-être n’en font qu’un, d’autres dans la salle. Tous sont très peuplés. Aucun n’est recensé. Pour les réunir, un rituel, une séance d’inorcisme : qu’est-ce que ça veut dire, accueillir en soi un autre corps (homme, femme, enfants, animal fantôme, la liste n’est pas close) ? Ces autres-là, comment les convoquer ? Nous les laisserons venir, nous les regarderons bouger. Nous les ferons entrer. Nul ne sera refoulé : nos frontières sont mouvantes et très peu barbelées. » Choregraphy : Julie Nioche Music: Alice Daquet Texte : Gwënaelle Aubry Design costumes / accessoires : Nino Chubinishvili Production A.I.M.E. / commande du festival concordan(s)e Avec le soutien du Théâtre Paul Eluard, scène conventionnée – Bezons, du conseil départemental du Val dOise, du Théâtre Brétigny - Scène conventionnée d’intérêt national, du Grand R - scène nationale de La Roche–sur-Yon, de Honolulu - Nantes.</image:caption>
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